Inspiration Just Outside the Window

There’s only one thing worse than getting lost in cyberspace when I’m supposed to be writing: looking out the window of my art studio when I’m supposed to be painting. Assembled in front of my azaleas, feeders of all shapes and sizes attract a variety of birds. In fact, I had to buy a book to identify them all. I’ve seen male and female cardinals, blue jays, blackbirds, grackles, Carolina wrens, black capped chickadees, vireos, robins, flycatchers, sparrows, mourning doves, finches, mockingbirds, tufted titmouse, towhee, woodpecker, and warblers. And a few I can’t identify.

Of course, squirrels make a nuisance of themselves, but their antics are entertaining. They slide down feeder poles like drunken firemen, spin around on the hanging feeders like Tilt-a-Whirls, and chew peanuts upside-down from the mesh slots. Too often, I find myself fiddling with my zoom lens instead of painting.

A local art gallery association to which I belong challenged all of its members to shoot a photo of their studios and frame them. (“Egads,” I thought, surveying the stained rags, splattered floor, piles of boxes and paint cans, and dozens of portfolios vying for space in my studio. “What a mess! Who wants to look at this!”) Then, in the medium to which we artists are accustomed to working, create a piece inspired by our studios. It didn’t have to be something inside of the studio. Just inspired by it. The framed studio photos would hang next to the inspired pieces for an upcoming show.

Easy choice for me. My studio is completely banked by windows on the north. I feast my eyes upon azalea bushes, sassafras trees, pines, dogwoods and a redbud. I’ve collected a vast array of bird feeders, and to watch the birds feeding and flitting is a captivating retreat.

For this challenge, I wanted to paint as many bird species as possible, using a gold background of gingko leaves. (I planted a gingko tree in another part of the yard years ago; it’s still only three feet tall.) I knew that I wanted the design to take a circular motion, one that started with a cardinal smack in the middle and ended with something faint and tiny in the background.

Originally I’d named the painting “Birder Heaven,” but when my husband saw it, he exclaimed, “Oh, it’s an Angry Bird!” Well, that took care of that! “Angry Birds in the Garden” was a delight to paint, and as many paintings do, it evolved beyond what I’d foreseen. I can’t wait for the show to open.

In the meantime, I try to focus on my drawing board. It helps if it’s raining.

Note: I painted over this piece because I decided that I hated it. Check out “A Bird in the Hand is Much Better Than Two in the Bush.”

Source: Inspiration Just Outside the Window

Running to keep up with the keyboard

Dijbouti. Suez Canal. Night vision goggles. Combat rescue. Cargo ships. International flights. Missed flights. Arab culture. Clans. The mechanics of heat and missile speed. All the things a good writer should know. Like David L. Robbins. And me.
Me?
Yes, I write. And I don’t write in the genre of David Robbins. Good thing, because not only would I never be able to steer a ship the size of five football fields under the smile of a whimsical, indulgent Arab captain (I am, after all, a woman), I would never be able to keep pace with David Robbins, who has the energy of five cruise missiles and the stamina of five football teams.
I felt like I’d had five cups of coffee after I’d listened to his talk at Christopher Newport University today.
To say that I enjoyed his talk immensely would be an understatement. To say that I felt inadequate would be, too. I write about art. Family. Gardening. Health care. Mental illness. Asperger’s. A bit of science fiction. And yes, I have had a short story published about an honor killing in Pakistan.* I blush to think that I had to look up the spelling of Kalashnikov. David Robbins I am not.
I focused on the protagonist as a woman in a harsh and unfair culture, a woman as a mother and a poet, a pure spirit, an individual. I researched the type of food a typical, if poor, Muslim housewife would make in Pakistan, the smells of that food, the smells and colors and noises of the marketplace she so seldom sees. I focus on the place she hides her forbidden poetry–so near, so intimate, and so undiscovered–beneath the bed in her own home. I write about the beautiful embroidery she stitches to sell behind her husband’s back.

These are the things I know. These are the things I weave into a story of willpower, family, betrayal, terror, despair, faith and love.
And then it dawned on me, why should I be David Robbins? I have no desire to aspire to his scope of of travel, level of production or genre. “Write what you know” is a well-worn phrase, to the point of cliche’, but it is so true. I know art. I know embroidery. I know marriage. I know children. I know nature. I know dogs, cats, and horses. I know what it feels like to stitch in haste, to prick my finger with a needle, then observe a single drop of dark red blood spring from my fingertip like magic, to wonder what would happen if my blood were diseased, or if I accidentally smeared it on an expensive fabric that were to be given as a gift to a head-of-state, or if I licked it and found that I’d developed a desire and addiction for it.
It doesn’t take a whole lot to send my imagination into a flight of creativity, a what-lf situation that leads to a story or a description that leads to a poem or painting. I take it for granted; I was born that way.
So with David Robbins in mind, and not in spite of his animated, high spritited adventures and his engrossing story telling skills, I continue with my smaller life, my quiet paintings, my detailed descriptions. Shame on me for thinking I have to keep up with the Joneses of the writing world. There is no need to run to keep up with the keyboard. I only have to make sure that it’s there, waiting, each time I’m ready for it. I only need to keep pace with myself.

*http://www.livewirepress.net/

 

Creativity rarely sleeps.

How to decide whether to write or paint each day? Some days are filled with deadlines. Others are more open. Roman poet Horace said that “A picture is a poem without words.” Join me in my poetic journey where I pontificate on politics, wrestle with my son’s Asperger’s or my Dad’s Alzheimer’s, absorb myself in gardening, commisserate on cats and dogs, and take joy from my works of art, whether acrylic, oil, watercolor or pen and ink. Art and writing have been my lifelong passions. How lucky I am to love my work. As Kahil Gibran said: “Work is love made visible.”